The GardenDespatches from The Satyrs’ Forest

Posts tagged as “gigology”

Unblogged July

I’ve done some fairly interesting things this month, and had planned to write posts for each of them — but, for whatever reason, none of them provided that particular spark to me. Maybe they just didn’t seem that interesting to explain to you, the reader, or maybe i didn’t know what to say about them except the obvious.

Nonetheless, it would be a shame for these events to pass into the annals of my journal without telling you about them. So! Here’s a brief summary of my unblogged July thus far.


Stephenson’s Rocket

I toddled off to Shildon to visit Locomotion, the local branch of the national railway museum. It’s the birthday of the railways, and thus boasts a disproportionate selection of anorak arcana — alas, you can’t go in the trains, but you get a pretty good look at the inside of Queen Alexandra’s royal train car, the erstwhile Birmingham maglev, and, most proudly, Stephenson’s Rocket.

Queen Alexandra’s royal train car The Birmingham maglev
An elaborately painted coat of arms
Locomotion also provides a lot to geek out about for any heraldry nerds.

A 1910s British street scene, recreated at Beamish A printed advert for a Large Pig

Beamish1 has been newly crowned Museum of the Year, so there was no better time to check it out. I hadn’t properly explored their new fifties town yet — the chippie and the old houses are wonderful, but the record store, crammed up the stairs, across an anachronistically modern mezzanine, and down a grey corridor, leaves much to be desired. Nitpicks about balcony design aside, it’s as great as ever, and, somehow, well worth the £33(!!!!!) asking price.


Finally, just yesterday, i went off to an Elbow concert hosted in a ruined mediæval priory by the sea. Belting out “One Day Like This” in the fading dusk light with five thousand other people standing on the same hallowed ground where monks tried to figure out where baby eels came from is a top-ten human experience.

I had a religious experience yesterday

Viewers are kindly forewarned that this video contains flashing lights.

I had a religious experience yesterday.

It’s a common metaphor. A playful exaggeration of what happens when something goes beyond a mere dopamine hit and passes into complete shamanic bliss.

If most of the people in the crowd there with me had said that, they wouldn’t have meant it literally. They’re atheists. Christians. Muslims. “Spiritual, but not religious”. Either they see no point in all this God-bothering, or their spiritual needs are well accounted for.

As for your correspondent? Well, loud, boisterious ecstasy is exactly the type of old-time religion i’m after. Hundreds of sweating, screaming, beautiful humans, swimming in the sea of each other, without a care in the world, freed, just for a moment, from the stresses of their mundane daily life1 — and all led by a charismatic preacher front man. What else could you call such a thing?

When you’re a shy bairn who follows a dead religion, you take what you can get.


Also… about halfway through the show, the band put up a big caption on the side screens saying “guest starring Harry Styles”2 (greeted with rapturous applause). They then proceeded to bring out Lewis “iwa­geddi­canna­usti­bei­sum­wun­yu­luuuuuuh” Capaldi instead (greeted with considerably less rapturous applause), and have him sing the absolute holy grail of 1975 concerts: “Antichrist”, a song from their very first EP which the band have steadfastly refused to ever play live. Masterful trolling.

Chvrches at City Hall

I swear this is fair dealing.

I went to see everyone’s favourite synth-pop act Chvrches a few nights back, and i must say they put on a hell of a show. Even at the City Hall — quite a stuffy venue by most standards — the crowd went absolutely mental for “Clearest Blue” at the end! (I barely know what came over me.)

Great staging, too — i counted three costume changes throughout the night, including a delectably bloody “FINAL GIRL” shirt for the encore. (Their latest album has a horror-movie gimmick crafted entirely to let them swap remixes1 with John Carpenter — not that i’m complaining.)

Now imagine the same distorted whingeing and generic melody for half an hour straight.

The opening act were an Ozzie band called HighSchool who, being brutally honest, should go back to PrimarySchool. They’re one of those acts that basically only know how to write one song over and over, and it’s alright at first, but by take number five of the same sludge you’re praying for it to end, you know? (See also the inexplicably successful 1975 cover band Pale Waves.)

9/10, would stand in line for several hours again.